November 12, 2009: Princeton University, NJ

Roundtable at Princeton University, NJ, featuring scholars and artists Raquel Z. Rivera, Wayne Marshall, Marisol LeBron, Miguel Luciano, Ines "Deevani" Rooney and DJ El Niño.

Afro-Dominicana: Music from the Other Dominican Republic

A few months ago I blogged about "Regaeton Roundup" on the AfroPop Worldwide radio show. Well, AfroPop just came out with a groundbreaking new program titled Afro-Dominicana: Music from the Other Dominican Republic.

While Afro-Cuban and Afro-Brazilian traditions get a lot of shine on the world stage, and Afro-Puerto Rican traditions have been getting a bit more shine recently, the celebration of Afro-Dominican music and culture has been notably lagging behind.

A few years back reggaeton/hip-hop group Del Patio did a collaboration with Ilú Ayé titled "Lo palo." Ilú Ayé, as usual, did a great job. And I was happy to see an urban music group like Del Patio link themselves to Dominican roots music through their collaboration with Ilú Ayé. I won't say much about the many reasons why I think that production left a lot to be desired. Judge for yourself. I'll just say I'm not feeling the use of Afro-Dominican music as a splash of color on otherwise drab and cliché urban music formulas.



What I'm hoping is that shows like AfroPop's Afro-Dominicana: Music from the Other Dominican Republic and the Quijombo Festival this week in the Bronx and the Afro-Dominican drumming/dance classes organized by The Legacy Circle in Harlem will motivate and challenge urban music artists to do excellent and inspired productions that draw from the roots.

Here's a plug for an artist that does an amazing job at fusing urban and roots music: Rita Indiana. Ok, so Rita might not be primarily a hip-hop or reggaeton artist but she definitely draws from that type of urban music. She's one of the artists featured on AfroPop's Afro-Dominicana show. Here's one of her songs, "Encendía," from her earlier work as part of the duo Miti Miti.



And a more recent song, as frontwoman of Rita Indiana y Los Misterios, titled "El Blu del Pin Pon."



Not that Rita holds all the answers. But she definitely has a great one.

P.S.
Found two more, for good measure: dembow and palos inflected to boot!





I can't say enough about the lyrics. How can that childhood tale of sharing in "Da pa lo do" be so tender, heartwrenching and hilarious at once?

When Hip-Hop and Reggaeton Collide

Check out Allison Desir's piece "When Hip-Hop and Reggaeton Collide" in The Mantle: A Forum for Progressive Critique. The article pays close attention to issues of race and ethnicity, and features interviews with music industry executives. Plenty of fascinating stuff here!

Parodiando la cultura urbana latina

Tato Torres just posted this on my FaceBook page:



And this is the conversation that followed:

Raquel Z. Rivera
Annoying, smug and misinformed... yes. And at the same time I had to laugh out loud a few times. It also had a few witty moments. I can't help thinking how we ("Latinos" in the US, urban music artists and fans...) leave ourselves open to this kind of caricature for falling into cliches... por cabezones.


Tato Torres Sáez
It is exactly the point he is making, he very clearly and cleverly states in the beggining: "por suerte hay hermanos latinoamericanos viviendo en NY... y gracias entonces a nuestros hermanos anglosajones en los EEUU que toman de ellos la cultura latina, la embasan y la difunden poco a poco hoy en nuestros barrios, podemos ver lo latino presente..."

yet you gotta love the "perreo simulator" LOL

"mi verdadero nombre es Mariano Grumberg Hollester Junguersen Smith, pero soy Latino" ¡JA!


Raquel Z. Rivera
Wow... I somehow missed the "la envasan y la difunden poco a poco hoy en nuestros barrios" criticism. Now I like this even more. I initially thought it was a simplistic caricature. But now I see it's more. And, yes, the perreo simulator was one of my favorite parts. And also the "papá cómprame las zapatillas blancas" bit.


Tato Torres Sáez
exactly!.. the guy is geniusly making a joke about the commercially distributed "packaged" generic concept of "Latinos," which is obviously formed on a stereotypical "Nuyorican" image.

Reggaeton as MTV-grade Pop

Wisín and Yandel's "Abusadora" is nominated for an MTV Video Music Award in the best pop video category. The other nominees are: Lady Gaga, Beyonce, Cobra Starship and Britney Spears. Hhmmm...



Correct me if I'm wrong, but I don't think a reggaeton or Latino urban music act has been nominated to the SAME category (in one of these big deal awards) as pop megastars like Britney and the others. Right? In that case, while no reggaeton song has ever matched the ubiquity of "Gasolina," this nomination seems like yet another type of milestone for reggaeton.

I know... I know... "Abusadora" is dembow-less, so is it still reggaeton?

But while we try to figure that one out, Entertainment Weekly's Simon Vozick-Levinson celebrates the nomination as a "welcome (if unexpected) step toward breaking down genre barriers," adding, "as far as I’m concerned, labels like 'pop' and 'reggaeton' confuse more than they enlighten, anyway."

So as he celebrates the breaking-down of barriers, Vozick-Levinson is still calling it reggaeton.

Marisol has the following to add: "Of course depending on how people view this nomination, this might only lend credence to the claim that reggaeton is dead."

How can "she" be dead?

Hey Raquel,

Hope all is well. A friend sent me the new Joell Ortiz song on Hip Hop dying and I thought about you. Creo que lo que dice aplica al Reggeaton tambien...no se si algun reggaetonero ha escrito sobre "la muerte anunciada" del reggeaton. Dejame saber si sabes de alguna cancion.

Paz,
Rox
(Roxanna García González)





Wow... thanks so much for this link.

"How can she be dead when she's a spirit?" BEAUTIFUL!

I haven't seen the equivalent of these types of songs in reggaeton. Just statements by artists.

Again, thank you!
RZ
(Raquel Z. Rivera)

Reggaeton Roundup on AfroPop Worldwide

AfroPop Worldwide just made available a streaming version of their recent program on reggaeton history titled Reggaeton Roundup. It will stay online only for a couple of months, so check it out before they take it off.

The show is a great trip down memory lane and I'm pleased to say it does not focus on the same old, same old!

The show opens up with one of my favorite urban music tracks ever "Ni fú ni fá" by Tego Calderón (which should have won that Grammy); goes through classic Jamaican dancehall tracks like "Bam Bam"; weaves together early 90s reggae en español, rap en español, merenrap and underground tracks by El General, Vico C, Lisa M, Three Gangstas, Gringo and Baby Rasta, Daddy Yankee and Ivy Queen; goes on great sidetracks like discussing Brazilian baile funk and its connections to Miami bass; and features dembow-less songs like La Sista's "Yemayá" and Calle 13's "La Jirafa" that still retain reggaeton's swaying hip-grinding effect; among many other welcome and unexpected musical highlights.


Omar García's interview, interspersed throughout the show, provides a great narrative thread by an artist who became an underground star at 14 years old (O.G.M. of underground fame) and is today an eclectic and insightful rapper/singersongwriter who draws from hip-hop, trip-hop, trova and rock, among other sources. The show also has Residente Calle 13 making some provocative statements (surprise, surprise).


Also, check field producer Marlon Bishop's narrative on reggaeton and his anecdotes from his trip to Puerto Rico while working on the show. It has great quotes from Dulce Coco, Tatá and Welmo that do not appear on the show.

Also, for folks in Puerto Rico (or not), the program will be airing on Radio Universidad WRTU on the program "Rumba Africana", on Sat Aug. 8 and Tues Aug. 11. If you're not in Puerto Rico, you can still listen to the show via internet.